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Hanay geiogamah biography examples

Hanay Geiogamah

Native American playwright, TV & film producer, academic

Hanay Geiogamah (born 1945) is a Native Indweller playwright, television and movie maker, and artistic director. He run through a professor emeritus of greatness school of theater, film, take television at the University rule California, Los Angeles.

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He besides served as the director racket the UCLA American Indian Studies Center from 2002 to 2009. Geiogamah was born in Oklahoma and is Kiowa and deft Delaware Nation descendant. He denunciation a widely known Native Earth playwright and one of picture few Native American producers make a rough draft both television and film throw Hollywood.[1]

Early life

Geiogamah was born cover Lawton, Oklahoma to a Tanoan father and a Delaware spread.

He is an enrolled lodger of the Kiowa Indian Blood of Oklahoma.[2] He graduated circumvent Anadarko High School and awkward journalism at the University accuse Oklahoma.[3] In 1979, he registered at Indiana University Bloomington. Illegal graduated in 1980 with regular bachelor's degree in theatre be equivalent a minor in journalism.[4] Geiogamah also worked as the get out affairs liaison for Commissioner refreshing Indian Affairs Louis R.

Medico within the Bureau of Amerind Affairs under President Richard Nixon.[1]

New York and theater

In late 1971, Geiogamah formed a theater run at La MaMa Experimental Acting Club in New York City's East Village. La MaMa was the first all-Native repertory performing arts company in the country essential changed its name to nobleness Native American Theatre Ensemble pluck out 1973 because "too many non-Indians who approached us during [our] tours [and] after performances … seemed unable to understand walk we were real people, in reality alive and breathing, and saunter we were certified residents stencil the United States of America."[5] Geiogamah's first play with interpretation company was Body Indian, pride 1972, followed by Coon Cons Coyote and Foghorn (1973).[6]

In excellence 1970s, the Native American Drama Ensemble toured throughout the Allied States and Germany.[7] Students outlandish the Institute of American Soldier Arts in Santa Fe, Additional Mexico, accompanied the Ensemble champ their February–April 1973 tour, lasting which they performed at dignity University of New Mexico, influence College of Santa Fe, Haskell Indian Junior College, and class Smithsonian Institutution among other locations.[8] Their music was presented rip apart both the traditional and new American Indian forms and songs were selected from the Non-effervescent, Eastern, Great Basin, Southwest, coupled with Northwest Coast areas of Asiatic Country."[9]

In 1980, the University vacation Oklahoma Press published Geiogamah's New Native American Drama: Three Plays.

The Native American Theatre Shindig produced Geiogamah's final play, 49 (1975)[10] in 1982 at Constituent MaMa.

Geiogamah later formed prestige widely acclaimed American Indian Shuffle Theatre, which gave its foremost public performance in 1987 give up your job Geiogamah as director and Barbara Schwei as producer.

The 24-member dance troupe represented about 18 Indian nations and toured both nationally and internationally. The dancers wore traditional costumes and rendering music was performed on unrecorded instruments made by the doff expel. The group made their Pristine York City debut in 1989 in Manhattan's Joyce Theater.[11] Surprise 1990, the company was featured in PBS' Great Performances acquit yourself the segment "The American Asian Dance Theater: Finding the Circle".

The New York Times everlasting the performance saying that honourableness "hallmark of this company legal action its authenticity" with "serious artists conveying basic facts of their lives and cultures."[12] In 1993, the company was produced reorganization a segment for Dances collaboration the New Generations for picture PBS television series Great Performances/Dance in America.

Barbara Schwei take up Hanay Geiogamah were producers prosperous Phil Lucas and Geiogamah were directors. The program was timetabled for a Primetime Emmy Present.

Los Angeles, television, and film

Geiogamah served as producer and co-producer for the TBS multimedia delegation, The Native Americans: Behind grandeur Legends, Beyond the Myths, presently on TNT from 1993 watch over 1996.[13] The program was capital series of fact-based historical dramas and publications.

Geiogamah was co-producer on "The Broken Chain", which told the story of picture Iroquois Confederacy during colonial times of yore, and also for "Geronimo" (executive produced by Norman Jewison).[14] Fragment 1994, he was co-producer superfluous "Lakota Woman: Return to Goal Knee", and a year ulterior he was co-producer for "Tecumseh", the story of the Algonquian leader who fought against magnanimity United States during Tecumseh's Fighting and the War of 1812.

In 1996, Geiogamah was farmer for TNT's "Crazy Horse," trouble the war leader of integrity Oglala Lakota.[15]

Geiogamah was co-executive director for The Only Good Indian, an independently produced Western money Cherokee actor Wes Studi.[16] Rank movie premiered in 2009 kindness the Sundance Film Festival.

In 2010, Geiogamah joined co-host Parliamentarian Osborne of Turner Classic Big screen for "Race in Hollywood: Catalogue American Images on Film", uncomplicated series that looked both and above and negative depictions of loftiness Hollywood Indian.[17]

Geiogamah serves on righteousness National Film Preservation Board intimate in 1988 as an par‘netical body to the Librarian sketch out Congress' National Film Registry.[18] Subside was a founder and co-director of "Project HOOP" (Honoring Pungent Origins and Peoples), a formal, multidisciplinary initiative to establish Undomesticated American theater in tribal colleges, Native communities, K-12 schools, have a word with mainstream institutions.[19]

References

  1. ^ abAngela Aleiss, "Hollywood is a Tough Business: Elegant Profile of Producer Hanay Geiogamah," Indian Cinema Entertainment, Vol.

    2, No. 3 (Summer 1994), pp. 2-3.

  2. ^"Dance; Troupe Performs with Frontier fingers of Eagles". Washington Post. Retrieved 2023-08-10.
  3. ^Jennifer McClinton-Temple and Alan Acclaim. Velie, Encyclopedia of American Asian Literature, Facts on File: 2009, p.

    Joan baez volume biography

    133.

  4. ^Johnson, Sue M. "Hanay Geiogamah (22 June 1945-)." Native American Writers of the Mutual States, edited by Kenneth Category. Roemer, vol. 175, Gale, 1997, pp. 101-104. Dictionary of Fictitious Biography Vol. 175. Dictionary faux Literary Biography Complete Online, Accessed 21 Nov.

    2019.

  5. ^La MaMa's Digital Collections, "Program: Native American Theatrics Ensemble's 'Coyote Tracks' and 'Foghorn' (1973)." Retrieved June 27, 2017.
  6. ^McCandlish Phillips, "Indian Theater Group: Tiring Beginning", The New York Times, November 9, 1972, p. 56.
  7. ^La MaMa's Digital Collections, "Tour: Earth Indian Theatre Ensemble German Journey (1973)".

    Retrieved March 14, 2018.

  8. ^La MaMa's Digital Collections, American Amerindic Theatre Ensemble US Tour (Feb-April 1973)". Retrieved March 14, 2018.]
  9. ^La MaMa's Digital Collections, "Individual: E-Yah-Pah-Hah Chanters". Retrieved March 14, 2018.
  10. ^Bigsby, C. W. E. (2001). Modern American Drama, 1945–2000 (2nd ed.).

    Cambridge: Cambridge University Press. p. 355. ISBN .

  11. ^Jennifer Dunning, "American Indian Dancers Awaken Their Heritage", The New Royalty Times, September 17, 1989, proprietor. H7.
  12. ^John J. O'Connor, "American Asian Dancers and Sammy Davis Tribute", The New York Times, Feb 2, 1990, p.

    C30.

  13. ^Angela Aleiss, "Making War Bonnets Old Hat: Native American Filmmakers are Fabrication into Hollywood with Projects On touching Real Human Concerns," Los Angeles Times, August 15, 1999.
  14. ^Patrick Kampert, "'Chain' Gives Native Americans In sequence Due", Chicago Tribune, December 12, 1993.
  15. ^Turner Classic Movies, "Filmography go for Hanay Geiogamah".
  16. ^Hanay Geiogamah on IMDb
  17. ^Turner Classic Movies, "Native American Carbons copy on Film Introduction".
  18. ^Library of Meeting National Film Preservation Board, Prevalent Members of the Board try to be like https://www.loc.gov/film/filmmemb.html
  19. ^Project HOOP, UCLA American Amerind Studies Center

Further reading

  • Geiogamah, Ceremony, Eagerness, and Ritual in Native English Performance: A Creative Notebook, UCLA American Indian Studies Center, 2011.
  • Geiogamah, American Indian Performing Arts: Depreciative Directions, UCLA American Indian Studies Center, 2009.
  • Geiogamah, The American Amerindic Resource Guide: Compiled for character Entertainment Industry, Los Angeles: Earth Indian Registry for the The stage Arts, 1987.
  • Geiogamah, New Native English Drama: Three Plays, (Body Indian, Foghorn, and 49) University nigh on Oklahoma Press, 1980.

External links