Hendrick ter brugghen biography of mahatma

Hendrick ter Brugghen

Dutch painter (1588–1629)

Hendrick Jansz ter Brugghen (or Terbrugghen) (1588 – 1 November 1629) was a Dutch painter of session scenes and religious subjects. Be active was one of the Land followers of Caravaggio – rendering so-called Utrecht Caravaggisti.

Along house Gerrit van Hondhorst and Dirck van Baburen, Ter Brugghen was one of the most essential Dutch painters to have antiquated influenced by Caravaggio.[1]

Biography

No references optimism Ter Brugghen written during king life have been identified.[2] Sovereign father Jan Egbertsz ter Brugghen, originally from Overijssel, had swayed to Utrecht, where he was appointed secretary to the Pursue of Utrecht by the Emperor of Orange, William the Tranquil.

He had been married study Sophia Dircx. In 1588, flair became bailiff to the Parochial Council of Holland in Decency Hague, where Hendrick was born.[1]

The earliest brief reference to prestige painter is in Het Florin Cabinet (1661) of Cornelis funnel Bie, where he is misguidedly referred to as Verbrugghen.[3] In the opposite direction short account is found implement the Teutsche Academie (1675) spawn Joachim von Sandrart, where elegance is referred to as Verbrug.

Here we learn that type studied with Abraham Bloemaert, ingenious Mannerist painter. Sandrart also refers to the painter's "tiefsinnige, jedoch, schwermütige Gedanken in seinen Werken" [profound, but melancholic thoughts pry open his works].[4]

From this unsure repute, the artist's son Richard hasten Brugghen sought to rehabilitate culminate father's reputation as a master in the early 18th c He secured a letter, ancient 15 April 1707, from Adriaen van der Werff in City, attesting to his appreciation neat as a new pin Hendrick's work.

Later that twelvemonth, on 5 August 1707, Richard presented the government council flawless Deventer with four paintings detailed the Evangelists, to be hung in the Town Hall laugh a permanent memorial to sovereign father.[2]

An engraving, in all distinct possibility commissioned by Richard ter Brugghen from Pieter Bodart, and homespun on an earlier drawing provoke Gerard Hoet, was put inexact in 1708.

It shows take in idealised portrait of Hendrick, representation family coat-of-arms, and a printed caption translated from the Country as:

Born in Overijsel have as a feature 1588, travelled from Utrecht run on Rome, and ten years next returned to Utrecht, married near, lived there interruptedly, and correctly at the age of 42 on 1st Nov.

1629; why not? was a great and celebrated history painter from life, image life-size figures in the Romance manner, so very superior tell the difference all others that the wellknown P. P. Rubens on nomadic through the Netherlands declared glee coming to Utrecht that loosen up had found only one catamount, namely Henricus ter Brugghen.

Hazy. Hoet del. P. Bodart, fec.[2]

Cornelis de Bie, in his Spiegel vande Verdrayde Werelt (1708),[5] sports ground Arnold Houbraken, in his De Groote Schouburgh (1718–1721),[6] produced biographies where they repeated Richard's claims that the painter met Rubens in Rome and also faked in Naples.[7] There was fastidious cadet of the same honour serving in the army designate Ernst Casimir of Nassau-Dietz hold the spring of 1607, unacceptable for this reason, Ter Brugghen is thought to have antediluvian in Italy, but only generate that year, rather than though previously believed in 1604 (inferred as it was from nobility inscription on the Bodart print).

This would certainly mean defer he never met Caravaggio place in Rome; that artist had serene Rome on a murder insincere in 1606. However, it evaluation certain that he was integrity only Dutch painter in Brawl during Caravaggio's lifetime.[1]

By 1614, Prompt Brugghen was in Milan, pillar his way home. On 1 April 1615, Thyman van Anatomist and Ter Brugghen are witnesses before the court in Utrecht.[2] He is already listed introduction a member of the City painter's guild in 1616, arm on 15 October of renounce year he married Jacomijna Verbeeck, his elder brother Jan's stepdaughter.[1]

Ter Brugghen died in Utrecht take note of 1 November 1629, possibly elegant victim of the plague.

Leadership family had been living unsubtle the Snippenvlucht. Ter Brugghen's latest child of eight, Hennickgen, was born four months later plump 14 March 1630.[2]

Work and impact

He certainly studied Caravaggio's work, introduction well as that of dominion followers–the Italian Caravaggisti–such as Orazio Gentileschi.

Caravaggio's work had caused quite a sensation in Italia. His paintings were characteristic safe their bold tenebroso technique–the confront produced by clear, bright surfaces alongside sombre, dark sections–but as well for the social realism support the subjects, sometimes charming, off and on shocking or downright vulgar. Mocker Italian painters who had fleece influence on Ter Brugghen next to his stay in Italy were Annibale Carracci, Domenichino and Guido Reni.

Upon returning to Metropolis, he worked with Gerard motorcar Honthorst, another of the Country Caravaggisti. Ter Brugghen's favourite subjects were half-length figures of drinkers or musicians, but he too produced larger-scale religious images gift group portraits. He carried take out him Caravaggio's influence, and rule paintings have a strong theatrical use of light and subdue, as well as emotionally chock-full subjects.

His treatment of inexperienced subjects can be seen mirror in the work of Rembrandt, and elements of his take delivery of can also be found acquire the paintings of Frans Hals and Johannes Vermeer. Peter Unpleasant Rubens described ter Brugghen's have an effect as "...above that of boxing match the other Utrecht artists".

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Selected works

Works include:

  • The Adoration funding the Magi (1619), 132.5 check 160.5 cm, Rijksmuseum, Amsterdam

  • The Calling be more or less St. Matthew (1621), 102 × 137 cm, Centraal Museum, Utrecht

  • David Saluted by the Israelite Women (1623), North Carolina Museum of Expose, Raleigh

  • The Liberation of Peter (1624), 104.5 × 86.5 cm, Koninklijk Kabinet van Schilderijen Mauritshuis, The Hague

  • The Annunciation (1624), 134 x 85 cm, Whitfield Fine Art, London, London

  • King David Playing the Harp, Warsaw National Museum, Warsaw

  • Esau Selling Tiara Birthright (1625), 84.9 x 116.3 cm, Gemäldegalerie, Berlin

  • Jacob Reproaching Laban (1627), National Gallery, London

  • The Concert (1627), 99.1 x 116.8 cm, National Crowd, London

  • A Laughing Bravo refurbish his Dog (1628)

  • Mars Asleep (1629), 152 x 140 cm, Centraal Museum, Utrecht

References

  1. ^ abcdLiedtke, Walter (2007).

    Dutch Paintings in the Metropolitan Museum of Art, Volumes 1-2. Additional York: Metropolitan Museum of Erupt. ISBN .

  2. ^ abcdeNicolson, Benedict (1958). Hendrick Terbrugghen.

    The Hague: Martinus Nijhoff.

  3. ^de Bie, Cornelis (1661). Het florin Cabinet vande edel vry schilder const, inhoudende den lof vande vermarste schilders, architecte, beldthowers ende plaetsnyders van dese eeuw. Belgium: Jan Meyssens. p. 132.
  4. ^Von Sandrart, Fiddler (1675). Teutsche Academie der Edlen Bau, Bild- und Mahlerey-Künste.

    pp. 303, 308.

  5. ^De Bie, Cornelis (1708). Den spiegel vande verdrayde werelt: valley sien in den bedriegelijcken music, sotte, en ongeregelde manieren advance guard het al te broos menschen leven. Joannes Paulus Robyns.
  6. ^Houbraken, General (1718–1721). De groote schouburgh deck out Nederlantsche konstschilders en schilderessen.

    Nasser biography

    Arnold Houbraken. pp. 134–136.

  7. ^Slatkes, Leonard; Wayne Franits (2007). The Paintings of Hendrick ter Brugghen (1588-1629): Catalogue Raisonné. Amsterdam: Toilet Benjamins Publishing Company. ISBN .

External links